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Art --- kunst --- Bibliography --- Periodicals. --- Bibliographie --- Périodiques --- Art. --- #ANTIL0001 --- Arts and Humanities --- Architecture, Fine and Decorative Arts --- General and Others --- Performing Arts, Travel and Leisure --- Kunstbuch --- Rezension --- Buchbesprechung --- Buchrezension --- Buchkritik --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Buch --- Arts --- Aesthetics --- Visual Arts. --- Art, Primitive

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In 'The Globalization of Renaissance Art: A Critical Review', Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of Art History as a whole.

Art, Renaissance --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Renaissance art --- Historiography --- Historiography&delete& --- Methodology --- Historiography. --- Methodology. --- History of civilization --- World history --- anno 1600-1699 --- anno 1500-1599 --- Arts --- Aesthetics --- Historiography&delete&&delete& --- Art, Primitive

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Art --- Christian art and symbolism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History --- Methodology. --- History. --- 246 --- Christelijke kunst en symbolisme --- Christianity --- Art, Primitive --- Christelijke kunst

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The green mantle of the earth! This metaphor is a poetic image that borrows from the vocabulary of weaving and epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Here it serves as a motto for a cultural poetics that made representing living nature increasingly popular across Italy in the Early Modern period. The explosion of landscape art in this era is often associated with the rise of interest in the literary pastoral, narrowly defined, but this volume expands that understanding to show Green's broad appeal as it intrigued audiences ranging from the ecclesiastic to the medical and scientific to the humanistic and courtly. The essays gathered here explore the expanding technologies and varied cultural dimensions of verzure and verdancy in the Italian Renaissance, and thus the role of visual art in shaping the poetics and expression of greenery in the arts of the 16th-century and beyond.

Art --- Nature --- anno 1500-1799 --- Italy --- Nature (Aesthetics) --- Painting, Italian --- Art and nature --- Nature and art --- Aesthetics --- Italian painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Renaissance landscape, Italian Renaissance painting, ornament in Renaissance art, cultural history of green, the pastoral. --- Art, Primitive

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In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers.

Painting --- genre [visual works] --- Dou, Gerard --- Borch, ter, Gerard II --- Mieris, van, Frans [Elder] --- anno 1600-1699 --- Netherlands --- Genre painting, Dutch --- Painting, Dutch --- Painting, Dutch. --- Genre painting, Dutch. --- ART --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Dutch genre painting --- Dutch painting --- History --- General. --- 1600-1699 --- Dutch Genre Painting, Repetition, Innovation, Collecting, Art Market. --- genre pictures